<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Language on Og Maciel's Journal</title><link>https://omaciel.github.io/tags/language/</link><description>Recent content in Language on Og Maciel's Journal</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Thu, 09 Oct 2025 00:00:00 +0000</lastBuildDate><atom:link href="https://omaciel.github.io/tags/language/index.xml" rel="self" type="application/rss+xml"/><item><title>Too Much Spanglish, Not Enough Story</title><link>https://omaciel.github.io/posts/2025-10-09-too-much-spanglish-not-enough-story/</link><pubDate>Thu, 09 Oct 2025 00:00:00 +0000</pubDate><guid>https://omaciel.github.io/posts/2025-10-09-too-much-spanglish-not-enough-story/</guid><description>&lt;p&gt;&lt;img src="https://omaciel.github.io/images/spanglish-story-cover.heic" alt="Cover Image"&gt;&lt;/p&gt;
&lt;p&gt;Call it a pet peeve of mine, but I see absolutely no point in writing paragraph after paragraph sprinkled with words from another language—liberally, even proudly—when it adds nothing to the story or style. A word or two here and there, especially terms of endearment, sure.&lt;/p&gt;
&lt;p&gt;But when every paragraph has a handful of non-English words dropped in—say, five to ten per page—that&amp;rsquo;s hundreds of instances across a typical 300-page novel. It starts to feel less like creative flair and more like a recurring speed bump, pulling you out of the story every few lines just to reorient yourself. The constant code-switching becomes the story&amp;rsquo;s background noise, making you aware of the language instead of the emotion, pacing, or plot.&lt;/p&gt;</description></item></channel></rss>